Jamil Molaeb

B. 1948, Bayssour

Jamil Molaeb completed his education at the Institute of Fine Arts of the Lebanese University and pursued further studies at the École Nationale des Beaux-Arts in Algiers in 1973. In 1987, he obtained a Master's degree in Fine Arts from Pratt Institute in New York, followed by a Ph.D. in art education from Ohio State University in 1989.

Throughout his career, Molaeb has held numerous solo exhibitions in Lebanon and abroad, showcasing his artistic talents. He has also participated in various group exhibitions. His contributions to the art scene were recognized with notable achievements, including the first Prize in Sculpture at the Salon d'Automne of the Sursock Museum in 1968, as well as the Special Painting Prize during the 18th Salon d'Automne in 1995.

Since 1999, Molaeb has actively participated in several sculpture symposia, primarily in Lebanon, and in 2003, he took part in the International Sculpture Symposium of Bahrain-Manama. In addition to his artistic pursuits, Molaeb has authored and illustrated more than a dozen written works, showcasing his multidimensional talents beyond the realm of visual arts.

Molaeb, a sensitive and discrete artist, believes in the power of his work and prefers not to impose himself on others. He allows viewers ample time to explore and appreciate his creations.

About his Work

The Lebanese mountain village, particularly his own village, its nature, and its intimate way of life, serve as recurring themes in Molaeb's artwork. Like many artists of his generation, he has been influenced by the war, which has shaped both him and his art. He draws inspiration from the elements of life and captures their essence in his paintings.

Molaeb is a highly regarded and productive painter, but his artistic journey initially began with sculpting. He believes in a natural continuity between sculpting and painting. He started his artistic exploration by working with stone and later transitioned to wood, where he incorporates colors and often incorporates miniature human figures. He used in his early works oil pastel, ink, and woodcut printing. Over time, he also created a series of small and large-scale mosaics.

His artistic style is adaptable, and in some of his works, one can observe the influence of Ancient Egyptian, Babylonian, and Sumerian art. Emotions permeate his work, and he intimately identifies with them. Whether he explores abstract or figurative themes, he expresses himself with freedom and without constraints, allowing his creativity to flow limitlessly.

Ginane Makki Bacho

Nahed Mansour