Elias Dib's artistic practice revolved around working with materials to explore the immaterial. He utilized substances as catalysts for ideas, aiming to engage the intellect rather than solely appealing to visual sensibilities. His installations were depersonalized and anti-formal, focusing less on aesthetics and more on demanding active participation from the viewer to interpret and understand the artwork.

The Lebanese mountain village, especially his own, its nature and its intimate way of life are a recurring theme in Jamil Molaeb’s work. Like many other artists of his generation, the war has influenced him and his art as well: he grasps the aspect of his paintings from the elements of life.

Fadl Ziade’s artworks often take on a two-dimensional form, displaying a strong sense of structural balance. The composition is skillfully divided by vertical and horizontal lines, creating distinct planes that are frequently filled with different basic colors. Occasionally, Ziade incorporates depictions of land and sky within his artwork.